There is a delicate magnificence in Megan Wonowidjoyo’s artworks that belies a resilient spirit. Memory And Rebirth, her solo exhibition at Fergana Art in Kuala Lumpur, is a visible diary of her life, a presentation of the on a regular basis mundane and devoted dedication to ascribed roles encased in hopes and goals.
Through the 24 digital artworks, an animation movie, a brief movie and 23 GIFs on this exhibition, she provides a glimpse into the private, hoping to spark dialog in her seek for which means and function.
“Drawn from my memories across a number of years, these artworks serve as a form of life-writing, which is very personal and intimate. I started these works when I was a homemaker and full-time mum many years ago. Although I studied very far, with a university degree in Singapore, after marriage, I felt everything I worked hard for in school had to be thrown away,” says Megan in a recent interview.
“There are these expectations on women as a wife and mother passed down by tradition for thousands of years that are bigger and stronger than the recent advancement of education for all. This may not be the experience for every woman, but my days became entirely consumed with duties to serve my husband, my children and upkeep the house, with little room to pursue my own dreams. Although I loved my family very much, there was an underlying urgency and desperation: Beyond being a wife and mother, who am I? The drawings began as an urgent search to answer this question,” she provides.
Megan Wonowidjoyo’s ‘Moon Water’ (digital artwork, printed on Ilford textured cotton rag). Photo: Megan Wonowidjoyo
Megan notes that schooling, first rate pay and work for all, is just a latest improvement because of feminism in the twentieth century. There are sure expectations positioned on a girl as soon as she turns into a spouse and mom that is handed down for generations and embedded by custom that doesn’t make it simple for a girl to dwell freely or equally.
“Often, tradition places the responsibilities of household chores and child-raising on the woman’s shoulders more than the men. The core belief of submission to your husband and serving your husband, relinquishes a lot of rights a woman has over her life. The duties of a wife and mother can therefore overwhelm a woman such that she will lose herself. She is a wife and mother, and only that,” she says.
Amid her homemaker’s pursuits, Megan poured coronary heart and soul into artwork that featured the home goods round her, her stoic and silent confidantes throughout this era.
Megan’s solo exhibition ‘Memory And Rebirth’ goals to present a ‘fact’ portrayal of a girl’s life by means of artwork as life-writing, portraying her inner-world and mindscape utilizing house objects as websites of reminiscence. Photo: Megan Wonowidjoyo
“It was hard to have deep conversations as my kids were very young, and I was mostly a listener to my then husband. So I felt safe to confide in these home objects through my personal memories,” she explains.
The result’s a life laid naked, a window by means of artwork into the completely different points of her trials and tribulations.
But it is usually a celebration of affection, which triumphs over every thing else.
“The most precious thing in life is love. The love you share in a marriage is quite different from a young puppy-love. While young love is carefree, love in a marriage is tested through different trials. As a mother, although there are a lot of sacrifices in raising, nurturing and teaching children, the love between a mother and child is one of the most beautiful things in the world.
‘Teapot Dreams’ (digital art, printed on Ilford textured cotton rag). Photo: Megan Wonowidjoyo
“Time is always ticking, and all too soon young children will be grown-up, so time spent with children is priceless. Memory And Rebirth is about that love and pain in family life. The degree you love someone, is also going to be the degree you can get hurt by that person or feel grieved when you lose that someone,” she says.
Memory And Rebirth is the first solo exhibition at Fergana Art that spotlights a feminine artist.
Megan can be the first artist with Fergana whose paintings will probably be was NFTs, and bought on NFT market OpenSea.
“Because women in the past have been overshadowed and their contributions to history largely erased, therefore it is important for me to be able to speak freely and truthfully, and to actively contribute as much as I can to women’s voices in society today.
“Some of the things I try to say in my art are based on life experience accumulated over decades, which is hard to translate simply over text. I hope that through marrying different media in drawings, digital art, film, animation and GIFs, people can connect with my experience as a woman, wife and mother,” she says.
Today, Megan is a single mom (with two grown-up boys) and works as a lecturer in the school of cinematic arts at Multimedia University in Cyberjaya, Selangor. She was born in Indonesia and later raised in Singapore earlier than shifting and settling down in Kuala Lumpur.
“I am grateful that I have gained back the freedom to decide how I choose to live my life today. Spending time with my children still makes me happy, though they are grown up now. I do not take that for granted. If I could travel back in time, I would tell my younger self to love myself more. Women tend to be more giving, nurturing and self-sacrificing.
‘Night Treasure’ (digital art, printed on Ilford textured cotton rag). Photo: Megan Wonowidjoyo
“As a result of putting others before yourself, you might neglect your own needs. It is important to enjoy life. Set aside time every day to reward your hard work and maybe once a year go travelling with some friends to enjoy nature.
“Though this art is from my personal memories, it does not only belong to me because the personal memories are situated in a certain time and place, which contains certain codes and customs that form our collective history. Therefore, within the life of one woman in Memory And Rebirth, it also contains the cultural memory of Asian women in our society today,” she concludes.
There will probably be a curatorial presentation and dialogue moderator by Jaafar Ismail, founding father of Fergana Art, with Megan and author/academician Roopesh Sitharan, on June 25 at 2.30pm at the gallery. This is a free public occasion.
Memory And Rebirth is on at Fergana Art at Publika in Kuala Lumpur until June 30. More data here.
